A pseudo-sequel to his sly Indefinite Pitch, the latest film by James N. Kienitz Wilkins continues his ongoing examinations into the relationship between language and cinema, in the year’s most entertaining and high-concept coffee break.
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A pseudo-sequel to his sly Indefinite Pitch, the latest film by James N. Kienitz Wilkins continues his ongoing examinations into the relationship between language and cinema, in the year’s most entertaining and high-concept coffee break.